Theatrical artwork
has played a significant role in his craft. These are the imagery he grew up with, watching Hollywood movies from the 40’s, 50’s, and 60’s, featuring Marilyn Monroe, Humphrey Bogart, and a host of other stars https://boxdropgrandrapids.net/. Form is an immutable concept, but it is a lesson that applies in both the moving image and the still image. The romantic imagery of a film noir sequence can last a lifetime, but so can a still painting, where what is left unsaid in a single moment can often create as much drama as an action movie with a host of explosions, gunfire and chases.
For some viewers, these moments will recall the famous photographs of Jackson Pollock from his 1949 spread in Life magazine, images that immediately redefined painting as a macho, intensely physical endeavor. But perhaps a better point of comparison is Joan Mitchell, another Abstract Expressionist and a personal favorite of both Binoche and Claire Denis, the film’s director. In any case, Godard’s filming of Binoche suggests an intuitive, dancelike way of making art, the “meaning” of which can only be grasped in hindsight. It’s surely no coincidence that the same terms are very often used to describe Godard’s cinematography.
In this painting the colour elements represent the present, and the black and white elements represents the past. Painting and cinema go hand in hand here, where most of the same rules and concepts apply. Going to movies in this instance is like looking at a painting only the moving image is in our minds, and not on the screen or canvas. Glimpse Into The Past painting by Theo Michael January 2014
Empire of the Sun artwork
It’s through this historical lens that Ms. Ractliffe views landscape: as morally neutral terrain rendered uninhabitable by terrible facts from the past – the grave of hundreds of Namibia refugees, most of them children, killed in an air raid; the unknown numbers of land mines buried in Angola’s soil. Some are now decades old but can still detonate, so the killing goes on.”
“Cuesto del Plomo,” hillside outside Managua, a well-known site of many assassinations carried out by the National Guard. People searched here daily for missing persons. July 1978, from the series, “Reframing History,” Managua, July 2004
Another fascinating exhibition. The concept, that of vanishing time, a vanquishing of time – inspired by Kurt Vonnegut’s 1969 novel Slaughterhouse-Five and the Japanese photographer Kikuji Kawada’s 1965 photobook The Map – is simply inspired. Although the images are not war photography per se, they are about the lasting psychological effects of war imaged on a variable time scale.
Some of the most moving evocations of the Great War were captured by commercial photographers who arrived in northeast France in the wake of the conflict, when people began travelling to the region in order to see for themselves the extent of the devastation of local villages, towns, and cities. There was enormous appetite for images recording the destruction, available in the form of cheap guidebooks and postcards.
These works led me to attempt to create this photographic book, using the notion of the map as a clue to the future and to question the whereabouts of my spirit. Discarded memorial photographs, a farewell note, kamikaze pilots – the illusions of various maps that emerge are to me like a discussion with the devil. The stains are situated as a key image of the series by drawing a future stratum and sealing the history, the nationality, the fear and anxiety of destruction and prosperity. It was almost a metaphor for the growth and the fall.
Dr Marcus Bunyan is an Australian artist and writer. His art work explores the boundaries of identity and place. He curates Art Blart, art and cultural memory archive, which posts mainly photography exhibitions from around the world. He holds a Doctor of Philosophy from RMIT University, Melbourne, Master of Arts (Fine Art Photography) from RMIT University, and Master of Art Curatorship from the University of Melbourne.
Vintage graphic
Art Deco is a glamorous architectural and decorative style that reached its peak in the 1920s and 1930s. A very distinctive design style, Art Deco can be identified from its strong geometric and symmetrical forms, rich colors, and luxurious, often metallic, textures and finishes.
I hope you enjoy my Favorite Free Wall Art Printables! I hope these inspire you to create some art posters for your spaces. Don’t forget there are plenty more instant art printables in the archives for you to browse too! Enjoy!
In this post I’m sharing a collection of my favorite free Vintage Prints. Whenever I’m able to purchase full page antique prints or plates that would look great framed, I get super-excited! These are all larger size printable images, suitable for framing, as-is. Many of these Vintage Art Prints are antique pieces that I have found on my travels. I have scanned them in, and cleaned up, and they’re ready for you to hit print and frame for some instant free Printable Wall Art for your home. Click on the links next to each description to be taken to the original post and image. Keep in mind each post has numerous pictures on a particular topic or category, but the number shown next to the topic reflects how many of those are Full Size Printables that are just right for framing, so you will need to scroll through those posts a bit to find them in some cases to find those larger pieces. Many of them are PDF’s, but not all. Enjoy!
Vintage designs also often feature imagery from nature such as animals or plants which can be used to convey messages or evoke emotions. This style of artwork has the ability to transport viewers back in time with its classic feel and timeless sophistication. Vintage graphics are also known for their ability to capture a sense of nostalgia which can make them particularly appealing for certain campaigns or projects.
Pop art has close ties to mid-century modern styles with bright colors and a bold feel. It’s worth mentioning on its own because this is a vintage graphic design element that almost everyone goes to at some point, thanks to Andy Warhol. In addition to this classic color panel style, pop art also often features dot-grain images, comic book styles, and exaggerated color palettes.